Marcus Bastos is an artist, curator and researcher on the areas of convergence between audiovisual, design and new media. PhD in Communication and Semiotics at the Pontificial Catholic University of São Paulo, he is author of Recycling Culture (NOEMA Gallery, 2007) and one of the editors of Appopriations of the (Un)common: public and private space in times of mobility (Sergio Motta Institute, 2009). He edited, with Lucas Bambozzi and Rodrigo Minelli, the book Mediation, Technology, Public Space – A Critical Panorama of Art in Mobile Media (Conrad, 2010). He was curator of Noise on Video (Itaú Cultural Institute, 2005), Cellular Geographies (Telefonica Foundation, 2010), installation –> video (SESC TV / SESC Arts Show) and VIVO Arte.Mov – International Festival of Art in Mobile Media, (2007-2011). Among his most recent projects are the multimedia opera HO: city lights (ProAC, 2012), the audiovisual composition she, lonely, thinks of that (Circuito SESC de Artes, 2010) and Operation´s Field (video essay on the homonymous DVD by Nelson Brissac, José Resende and Heloísa Maringoni, 2012). He was director of experimental documentaries such as Giuseppe, etc (2011), Free Radicals (2006) and Shapeless Interface (2006).